Cinema, like all cultural products, is political in some way or other. By deploying race, gender, and class as critical categories of reading film, this course's approach seeks to examine the political and ideological implications and assumptions of film art as a popular cultural medium. Brief introductions to theories on race, ethnicity, gender, sexuality, ideology, and class will provide the framework for the viewing of classic and contemporary film from different cinematic cultures.
Programme: ELH(HSS)
Cinema, like all cultural products, is political in some way or other. By deploying race, gender, and class as critical categories of reading film, this course's approach seeks to examine the political and ideological implications and assumptions of film art as a popular cultural medium. Brief introductions to theories on race, ethnicity, gender, sexuality, ideology, and class will provide the framework for the viewing of classic and contemporary film from different cinematic cultures.